God of War: How A Classic Franchise Learned from The Last of Us and Dark Souls
Jul. 9, 2017God of War: How A Classic Franchise Learned from The Last of Us and Dark Souls
The upcomingGod of Waris getting quite the modern treatment. Gone are the days of arcadey murder-death-killing marked by chaining together obscene amounts of combo attacks against obscene amounts of enemies, topped off with bombastic deicide. Now the deicide may yet be there but the game has grown up significantly, at least at first glance. And it’s precisely at first glance that we see how the franchise has matured by taking its cues from story and gameplay role models likeThe Last of UsandDark Souls.
The emotional connection ofKratosand his sonAtreusgives the game a father-son feel that is similar to the father-daughter feel ofThe Last of Us. The game has clearly evolved from laughable gore and action to having more of an emotional element andThe Last of Usshowed us how a dual main character team can create a tether. Having a defenseless, passive partner makes the danger much more immediate. They’re not the bullet or axe sponges you are and their vulnerability keeps you from going in guns blazing, which creates drama both in gameplay and story intensity. It’s one of those rare examples where a mechanic actually enhances the story telling of the game, and elevates the process of gameplay and controls design to an art.
There is also thatPlaystationvibe to consider, thatThe Last of Uswas essential in establishing.God of Warfeatures a similar patina and filter toThe Last of Us.Sonyis streamlining the brand to have a feel. The arcadey GoW just won’t stick anymore. Gaming is more mature and Sony is leading the way with that as the industry moves even closer in standards and subjects to the film industry. It’s not justGod of War. Horizon Zero Dawn, Uncharted: Lost Legacy and Days Gone are other PS4 exclusives that feature that same “always autumn” setting, with its heavy dose of golden, warm earth tones and realistic landscapes. This is a mood setter, that gives these environments a more serious tone that arrives with the fall season.
This fits becauseGod of Waralways had a deeper story to tell. Lost in the grunts and Mortal Kombat executions was the consumate Greek tragedy. A tale of betrayal, doomed fate, but ultimately hope. For many this was the biggest critique of the first round of games in the franchise: it was simply too male-aggrohead in action which cheapened its initial premise of loss, which was solid. By the end of the series, it was really hard to empathize with Kratos at all, as he had summarily decapitated and fucked his way through his revenge which left any resolution hollow. Kratos’ solution to every problem that came his way was some element of the male power fantasy paradigm which called into question just how much tenderness a one dimensional individual like that could have for a wife and child.
Now we see some truly honest and evocative moments betweenKratosandAtreuswhere the journey of the game finds Kratos instructing his kin on how to survive in a harsh world. Although his parables are still tinged in the brutal red of violent indifference, the delivery is gentler. He’s certainly no Mr. Rogers to Atreus and dips into gruffness and outright scolding but his love for his son is evident in his restraint and simple willingness to be a tutor. It also raises so many story and lore related questions as to equally raise the anticipation to play the game and figure out how everything pieces together. This is the essence of the Kratos tale which I alluded to earlier that never was given the light of day during the ostentatious posturing of the original games. This isn’t a dig at the earlier games; simply those of us who grew up playing those first games on PS2 have done just that: grown up. There is more of an appetite for complex, mature storytelling. Indulgent violent catharsis served us once (and still has its place; seeDOOM) but as it applies to reboots, changing tone in this fashion makes a lot of sense for an increasingly diverse gaming audience, of whichThe Last of UsandUnchartedwere among the first to tap into.
The combat feel is also getting quite the makeover and is moving away from the button mashing, earlyDevil May Cryinspired gaming into something much more methodical, and we can thankDark Soulsfor reintroducing us to thoughtful combat. Gone are the days of just spamming your attacks to keep an insane combo string going, while the counter in the corner continues to rise and offer violent hyperbole like “Vicious!”, “Savage!”, “Relentless!” and “Gory!”. Instead we see where the Souls series has made its mark on the gaming world. Gratuitous no more, the combat is much more patient and strategic. We see this change best evidence in the move away from Kratos’ iconic Blades of Chaos which was a controversial choice. In exchange for the lightning fast and highly ranging chains is now an axe, which although capable of dishing out gruesome death quickly, is inherently more intimate and moveset based.
Furthermore, the camera is now pulled back overKratos’shoulder in a third person perspective that centers the action in front of you, increasing the immediacy and tension of the combat, in a way very similar toDark Souls. The sense of scale is less about pulled out camera shots and more about the grit and viscera that the Souls series has helped standardize for modern tastes. Adding to this are dashes and rolls, which the franchise has had before but now seem more about spacing and gaining a geographical advantage which is another third person feature made convention in part byFrom Software’sefforts.
We see this shift in the direction of defense as well in some of the other gearKratoswill be using, especially the shield. In prior games, anything that was seemingly defensive pieces of equipment were still relegated to the function of offensive purposes, such as reflecting damage back out. Now, early gameplay has shown a collapsible shield that can parry a blow with a well timed trigger. Sound familiar? It can also protect from different attacks and we can anticipate much more gear that follows this new tweak.
God of Waris growing up and that’s a wonderful thing. Similar to how Kratos is now mentoring Atreus,God of Waris being mentored by modern day heavy hitters likeThe Last of UsandDark Soulsand both journeys feature parallels. While Atreus is learning how to survive in a new, unforgiving world,God of Waris learning how to thrive in a modern, demanding and competitive gaming climate that has seen other classic franchises like Mass Effect falter when reliance is placed on convention and name recognition. Consumer tastes are a current that must be navigated and who better to serve as Charon for Kratos’ new adventures than developers like Naughty Dog and From Software who certainly know the way and back.
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Emergence
Editor at Fextralife. I look for the substantial in gaming and I try to connect video games to the emotions and stories they elicit. I love all things culture and history and have an odd fondness for the planet Jupiter. I think my dogs are pretty awesome too.
My interactions with pot smokers taught me to never believe someone when their high, and Kratos is clearly high.
And as everyone can see, even Kratos agrees this is a good direction! (see above :p )
I agree that some evolution was necessary to keep the game going. I’m hopeful we’ll get an intense but easier to relate Kratos.
Games change overtime, sometimes they have to make necessary step to expand the game to a new height.The biggest example would be Fallout 2 to Fallout 3. The change was so drastic, most old fallout gamers didn’t even realize that was the same fallout game, and of course, some of them were pissed about it. But it was perhaps 1 of the best Bethesda decision ever since it basically made Fallout franchise become 1 of the biggest franchise in the world with only just 1 game!God of War can be like that, even tho GoW franchise was already massive, there were features and mechanics that hold it back, such as the story, it was decent, but it was no where near to be considered great. or the camera angle, which has become outdated for AAA games to be very honest, or perhaps the sex games, in this age, where internet has turned into a political field, it could really prevent the media from supporting the game.So yeah, to me, the decision for this change is not only acceptable, it’s a huge upgrade imho.
“Hard to imagine a GoW game that’s not dripping with testosterone distilled from the sweat of Chuck Norris while he’s wrestling a lion atop the highest mountain”
Made me LMAO. To be fair, I have played (and bought remaster and platinumed) GOW 1-3, and I’m far from someone that’d want to have a “male power fantasy”. It was the combat that was fun, and the first game did have a great setting, a great motivation, and a “greek tragedy” ending.
Unfortunately, it went downhill from there, and by GOW3 we were ripping a God’s head off with our bare hands and the developer’s “barometer” for when it was too much was “if we laugh then it’s too much gore”.
So I’m happy to see the change, and since I really lovedThe Last of UsI look forward to seeing how this works out.
Wondered how long before the Demolition Man reference was caught. You win.
That’s all well and good but…
ADemolition Manreference?
Are you kidding? That’s the entire reason I play God of War. Now excuse me while I go fight a grizzly bear and a great white land shark while arm wrestling The Rock Johnson in a speedo.
Wow..You might have just made me realize why I’ve never touched the GoW series.
The new one looks promising though. I’ll at least enjoy watching my friend play it if nothing else.
as long as I get my fast paced hack ‘n’ Slash gameplay, I’m good. I miss the classic top down camera though
Hard to imagine a GoW game that’s not dripping with testosterone distilled from the sweat of Chuck Norris while he’s wrestling a lion atop the highest mountain. What will long-time fans turn to now!?
..Probably CoD.
